https://dhvaniohio.org/wp-content/uploads/2021/11/B-Krishnamoorthy.jpg 600 900 Webster Development /wp-content/uploads/2020/08/logo.png Webster Development2021-11-30 23:26:362021-11-30 23:28:17Sangita Kala Acharya B. Krishnamoorthy
It was a Vijayadasami day in 1983. My Sanskrit Professor C.S. Sundaram took me to the home of vidwan B. Krishnamoorthy—fondly addressed as BK Sir — (hereafter BK) as he wished me to learn Dikshitar kritis from BK. I am grateful to Professor Sundaram, who was my well-wisher and supportive of my music career.
https://dhvaniohio.org/wp-content/uploads/2021/11/Music-in-Vaishnavite.jpg 600 900 Webster Development /wp-content/uploads/2020/08/logo.png Webster Development2021-11-30 23:24:492021-11-30 23:24:49Music in Vaishnavite Tamil literature
This is the concluding segment of the exposition on dance and music in Vaishnavite Tamil literature. The three-part article is based on information culled from various Tamil discourses of Kidambi Narayanan.
https://dhvaniohio.org/wp-content/uploads/2021/10/TN-Krishnan.jpg 600 900 Webster Development /wp-content/uploads/2020/08/logo.png Webster Development2021-10-28 09:25:232021-10-28 09:25:23TO ‘SIR’, WITH REVERENCE
On the occasion of the first death anniversary of violin maestro T.N. Krishnan who passed away on 2 November 2020, his disciple C. Seethapathy shares his memories of his guru.
https://dhvaniohio.org/wp-content/uploads/2021/10/Nirmala-Sundararajan.jpg 600 900 Webster Development /wp-content/uploads/2020/08/logo.png Webster Development2021-10-28 09:22:162021-10-28 09:22:16NIRMALA SUNDARARAJAN – REPOSITORY OF RICH MUSIC
Veteran Carnatic musician Nirmala Sundararajan is in the eighth decade of her life dedicated to the pursuit of music. She had the good fortune of learning from some of the best gurus and blossomed into a mature musician, having had a long stint in the field.
https://dhvaniohio.org/wp-content/uploads/2021/09/bookshelf.jpg 600 900 Webster Development /wp-content/uploads/2020/08/logo.png Webster Development2021-09-29 07:03:502021-09-29 08:41:40A TREASURE OF KRITIS ON LORD ANJANEYA
Jaya Mami Bhakti Padalgal is a serene offering of three volumes containing nearly 600 compositions, mostly in Tamil, on Lord Anjaneya (Hanuman). This assumes special significance as there is a virtual dearth of kritis on one of the most worshipped deities of our land associated with the epic—Ramayana.
https://dhvaniohio.org/wp-content/uploads/2021/09/Sikkil-Bhaskaran.jpg 600 900 Webster Development /wp-content/uploads/2020/08/logo.png Webster Development2021-09-29 07:01:572021-09-29 08:43:07SIKKIL BHASKARAN – A VETERAN VIOLIN ACCOMPANIST
Veteran violinist Sikkil R. Bhaskaran passed away on 20 July 2021. Dedicated exclusively to accompaniment, the artists he shared the stage with straddle generations and read like a who’s who of Carnatic music - from Maharajapuram Viswanatha Iyer, K.B. Sundarambal and M.M. Dandapani Desigar to Sikkil Mala Chandrasekhar, N. Vijay Siva and Palghat Ramprasad.
https://dhvaniohio.org/wp-content/uploads/2021/09/Sikkil-Mala.jpg 600 900 Webster Development /wp-content/uploads/2020/08/logo.png Webster Development2021-09-01 02:18:542021-09-01 02:27:17Sikkil Mala ChandraSekhar – Upholding the Sikkil Sisters’ legacy
Sikkil Mala, the daughter of Sikkil Neela, is the torchbearer of the bani of the famed flautist duo – the Sikkil Sisters, Sangita Kalanidhis Kunjumani and Neela. Mala’s journey with the flute, did not begin purposefully as the heir apparent of the flute lineage of her family, but in a very casual manner.
https://dhvaniohio.org/wp-content/uploads/2021/09/Kanniks-Kannikeswaran.jpg 600 900 Webster Development /wp-content/uploads/2020/08/logo.png Webster Development2021-09-01 02:16:172021-09-01 02:27:58Music video on water resources
The symbolism of rivers has been used abundantly in poetry, music and storytelling. Rivers depict the entire circle of life and are revered as nature’s wonders. In the Indian context, they are worshipped and humanised to tell moving stories of civilizations. However, through the generations, excessive use of these water bodies has led to their erosion and contamination.
https://dhvaniohio.org/wp-content/uploads/2021/06/Palani-Subramania-Pillai.jpg 600 900 Webster Development /wp-content/uploads/2020/08/logo.png Webster Development2021-06-29 07:31:172021-06-29 09:52:58Guru puja of Palani Subramania Pillai
The 59th annual guru puja of the legendary mridangam maestro, Palani Subramania Pillai was conducted virtually by the Palani Sri M. Subramania Pillai Trust. The programme premiered on 2 June 2021 on the Trust’s YouTube page.
https://dhvaniohio.org/wp-content/uploads/2021/06/Padma-Narayanaswamy.jpg 600 900 Webster Development /wp-content/uploads/2020/08/logo.png Webster Development2021-06-29 07:29:342021-06-29 09:54:09Padma Narayanaswamy
Padma Narayanaswamy, wife of Sangeeta Kalanidhi K.V. Narayanaswamy (KVN) is a distinguished Carnatic musician. She turned 80 in April this year. While much of her life was devoted to her late husband KVN, and she has remained in the background, her musical achievements and contributions as a guru are mostly unknown.
https://dhvaniohio.org/wp-content/uploads/2021/06/Remembering-MSG.jpg 600 900 Webster Development /wp-content/uploads/2020/08/logo.png Webster Development2021-06-02 07:05:342021-06-02 09:22:33Remembering MSG
The birth anniversary of violin maestro M.S. Gopalakrishnan falls on 10 June, while 3 January 2021 marked the ninth death anniversary of the violin vidwan popularly known as MSG. It has been my good luck to have known him for a long time.
https://dhvaniohio.org/wp-content/uploads/2021/06/Veena-Doreswamy.jpg 600 900 Webster Development /wp-content/uploads/2020/08/logo.png Webster Development2021-06-02 07:03:512021-06-02 09:18:56Veena Doreswamy Iyengar memorial fest
As part of International Women’s Day celebrations, ‘Veena’ Doreswamy Iyengar Memorial Trust had organised a three-day music festival 6 to 8 March in Bengaluru, featuring eminent women vocalists. The festival was inaugurated by the Jeeyar of the Yathiraj Mutt, who also extended his blessings to the festival by providing use of the auditorium.