
100 Strings a Classical Instrumental Extravaganza from India
Saturday, 16th November 2024|7:00 pm EST
| $25 – $35Nirmala Rajasekar – Saraswathi Veena
Sandip Chatterjee – Santoor
Thanjavur Murugaboopathi – Mridangam
Ramdas Palsule – Tabla
Tickets: $35
$25 for Members of the McConnell Arts
FREE FOR ANNUAL SUBSCRIBERS
About the Saraswathi Veena
The Saraswathi Veena is considered one of the most ancient instruments from Asia. Some historians date it back to 5000 years; Others say 2000 + years which is the age of the musical genre Carnatic Music – the classical music of South India. It is revered as the National Instrument of India and is so named as the Goddess of Arts, Culture and Wisdom, Saraswathi, holds this instrument in her hand symbolizing all that She Stands For.
About the Santoor
Santoor is a string instrument that belongs to the Hindustani, North Indian Classical music of India. The original name of this instrument was Shata-tantri Veena which in Sanskrit language means another kind of Veena many times with100 Strings-for this tour the santoor being used is a custom instrument with 93 strings. The name of the instrument has its origins in the Persian language that came to India through the arrival of that culture in India.
Dhvani gratefully acknowledges the generous sponsorship of the T. Marzetti Company.
Nirmala Rajasekar – Saraswathi Veena
Nirmala Rajasekar is well known as a premier Saraswathi veena artiste in the world today. A dynamic and vibrant musician, she has performed in top notch venues in India and around the world, including the Music Academy, Narada Gana Sabha, (Chennai), Sawai Gandharva Mahotsav (Pune), the Carnegie Hall, the United Nations (New York) and the Rumi International Festival (Turkey) to name a few. Nirmala is an established vocalist and composer and has been recognised internationally as a “Carnatic Ambassador” and a leader in forging new paths on the Saraswati Veena. Nirmala has become the first Carnatic musician to appear on the Billboard of Times Square in New York City (March 2024) and at the Cannes Film documentary ‘Global Women in Music’ (May 2024) in France.
She is a recipient of many awards in her 45 year long career. Most recently and while on the One Hundred Strings US tour, she received the Principal Sr. KS Narayanaswamy Centenary Memorial Award from hanmukhananda Fine Arts and Sangeetha Sabha, Mumbai. Her awards include the Kalaimamani Award from he Government of Tamil Nadu, India, and Lifetime Achievement awards from Rotary Club International in different cities and countries to cite a few. Recent recognitions include the ‘Srikala Purna’ award ( May 2024) from Chicago based veteran organisations SAPNA and the Sonty Foundation, the 2024 ‘Layakalai’ Arasu (January 2024) from Dakshinamurthy Trust (Jan 2024) Tamil Nadu, India , the 2023 AP Anderson Award from the Anderson Center, USA. In September 2024 Nirmala will receive the prestigious Principal KS Narayanaswamy Award from Shanmukhananda Sabha, Mumbai, India.
Nirmala is the first Indian musician to be chosen for the Bush Fellowship (2006) and the McKnight Fellowship (2010) awarded in the USA.
Nirmala began her performing career at the age of 13, training with veteran Gurus Devakottai Shri Narayana Iyengar, Smt. Kamala Aswathama, Smt. G.Chennamma, Smt E.P. Alamelu, and Shri A.D. Zachariah, before coming under the guidance of veteran veena Vidhushi Prof. Smt. Kalpakam Swaminathan, with whom she studied for nearly 30 years.
Nirmala has studied vocal music with Gurus Shri Prof. T R Subramanyam, Shri B. Sitarama Sarma, and Shri Calcutta K.S. Krishnamurthy. She continues to be guided by eminent musicologist and composer Dr. B.M. Sundaram in her research projects
Nirmala has been featured on TV and Radio around the world, including several concerts for All India Radio’s National Programme of Music, Doordarshan’s National Programme of Music, South Zone concerts, broadcasts for the Chennai, Bombay, Bangalore and New Delhi stations, the British Broadcasting Corporation (BBC), the Australian Broadcasting Corporation (ABC), American Public Media (APM), and Public Broadcasting Service (PBS) Television.
Nirmala has recorded extensively and has received international acclaim for her multiple albums. Her recording with the 3-time Grammy-award-winning group “Sounds of Blackness” won “Outstanding World Music Album of the Year” from the NAACP Image Awards. Her latest foray is a video single ‘My Best Friend’s with her band Maithree released in July 2024.
A celebrated composer, Nirmala has written traditional and collaborative music for orchestras, choruses, theater, and chamber ensembles in Indian and Western classical music. In 2020, she was chosen for the distinguished honor as the Annual Commissioned Composer of the University of Wisconsin, River Falls (the first composer from a traditional art form in 53 years of this program).
A passionate educator, Nirmala is at the vanguard of artists working to make the world a more equitable place for all. She serves as a Co Chair of the American Composers Forum, as a Vice President of the Global Carnatic Musicians’ Association, and as the Artistic Director of the NaadhaRasa a non profit organization she founded in 2019 ‘to build bridges through music’.
Sandip Chatterjee – Santoor
BIOGRAPHY
Sandip Chatterjee, a disciple of Santoor maestro Pandit Tarun Bhattacharya and vocal maestro Pandit Ajoy Chakraborty, is a rich and accomplished Santoor player of our time. He has been heralded as the torch bearer of two Gharanas at the same time – MAIHAR and PATIALA.
With his magical strokes over strings, He makes his unique melody speak. A deep rooted explorer in himself has helped him give a dynamic approach to his playing style with one hand. Where he uses his left hand to lift the strings (Plucking Chikari) to play the Alap, Jod,Jhalla, part of bandish( Gat) there by creating an ineffable resonance.
Embroidering the silk with stitches, Sandip’s music has also thickly embroidered innumerable ears by reaching out to a greater world. Sandip has been extensively performing in many music festivals and concerts all around the globe. And, he has also collaborated with many overseas musicians across genres such as Jazz, Rock, New Age, Contemporary and Fusion.
The musical talent and virtuosity exhibited by Sandip over the years have been noted through his
albums which range upto 21 in number. His expertise has also been utilised by renowned music directors
like A.R.Rehman, Jatin Lalit, Gulshan Kumar, Rabindra Jain, Pt.V.Balsara etc.
His ethnic aesthetics had also won him many awards and laurels such as ” President of India Award”, “Jadubhatta Award”, “Sangeeth Ratna Award”” Abhinaba Kala Sanman”” Howrah Ratna Aweard “etc. Through his dauntless efforts he is still trying to create a magic spell by letting his music reverberate and keeping the music lovers enthralled.
CONCERTS
Tansen Sangeet Samaroh (Gwalior), Ameer Khan Sangeet Samaroh (Indor), Alauddin Khan Sangeet Samaroh (Mihar), Chalukya Music festival (Karnataka), Karnataka Music Festival (Bangalore), Nikhil Banerjee Memorial (Barackpur), ITC Sangeet samyalan (Kolkata), Chakradhor Sangeet Samaroh (Raigarh), State Music Academy (Kolkata), Sursagar Music Festival (Bangalore), Prayag Sangeet Samyalan( Allahabad), Doverlnae Music Festival (Kolkata), Samrat Music Festival (Goa), Mughubai Kudikar Sangget Samaroh (Goa) Sangeet Natak Academy (Delhi) and many others…
Sacress Journees Music Festival (France), Saraswati Art (Amsterdam), Indo German Society (DIG) Germany, Martova Folk Festival( Rome), Surdhwani Music Festival (UK), Scotland Art Festival(Scotland), Rasa Centre for world Music (Holland), Less Oriental Music Festival (France), Brunei Music Society (Brunei), Music Guimet (France), Festival de FIMU (France), Tarab Tanger Music Festival (Morocco), IMSOM (USA), Learnquest Music Conference (USA),Basant Bahar (USA), Kalalendra (USA)
COLLABORATIONS & MUSICAL ACTIVITIES
- In the year 2001, in Germany Sandip worked with a famous Jazz Group of Berlin named “NUOKOLLIN JAZZ ORCHESTRA”
- In the year 2003, he has collaborated with famous Jazz guitarist Mr. Guy Strazz of Australia. Guy Straz came to India
with his invitation,and the production recorded in Kolkata and together formed a Band called “CALCUTTA EXPRESS”. The recording has been released from “Underscore Records” in India and “Talpopies Records” from Australia. “Calcutta Express” has been nominated as a finalist in the Indo Acoustic Project’s “Best CDs of 2006” awards in the World Music category. - 2007, He has collaborated with famous Saxophonist Claudio Gigillio and Afro Cuban percussionist Fulvio Farkas in Italy.
Together they created a band “SHANTI’ and performed in several Jazz festival in Europel & Italy. “SHANTI” has been recorded and released by World Space Records in Italy and in Indian from Sagar Music in the name of “RAGA in ROME” - 2009 He collaborated with famous Swedish Jazz saxophone Player Elin Lersson in the name of “EMOTION” and the production
recorded in Kolkata. - 2010, He has worked with famous French musician “Titi Robin” and played together for Bluefrog Records in Mumbai.
- Sandip has his own reputed instrumental Fusion band in India named “EAST WEST CANVAS”, which has a unique soundscape
based on thematic Indio-western musical combination with Santoor, Flute, Saxiphone, Bass, Keys and percussion. They have wide range of concerts and venues in india and Abroad. - Sandip has a well equipped sound recording studio and his won production house in Kolkata named “STDIO SC COMMUNICATION”
where he compose & arrange musics for many music houses, Indian Movie’s BGM score, as well as his won music productions.
Thanjavur Murugaboopathi – Mridangam
Vidwan Thanjavur K. Murugaboopathi (Boopathi) is one of the world’s most celebrated mridangam players of today. His techniques and creative ability in accompaniment, solo renditions, and jugalbandhi programs with his North Indian brethren have earned him much acclaim around the world.
Murugaboopathi hails from a family of musicians and artists of several generations. He is one of the few performers in the world today who trained in the rare ‘Gurukula’ method (living with one’s guru while learning) with Mridangam maestro Guru Tanjore Upendran for over ten years. Boopathi initially trained under Shri T R Srinivasan from the Tamil Nadu Music College, Chennai before his gurukula training.
Murugaboopathi’s percussion career has been a colorful spectrum of accompaniment to a legion of maestros and virtuosos of the world of Carnatic vocal and instrumental music. Prominent vocalists include Sri M Balamuralikrishna, Sri T V Sankaranarayanan, Madurai Sri T N Seshagopalan, Sri P S Narayanaswami, Sri Sanjay Subramanyam, Sri P Unnikrishnan, Sri T M Krishna, Carnatica Brothers, Smt Sudha Raghunathan, Smt Aruna Sairam, and Smt Nithyashree Mahadevan. Renowned instrumentalists include flautist Dr N Ramani, mandolin player Sri U Srinivas, saxophonist Sri Kadri Gopalnath, violinist brothers Sri Ganesh & Sri Kumaresh and Mysore Sri Nagaraj & Sri Manjunath, vainika Smt. Nirmala Rajasekar, and flautist Sri Shashank. In addition, he has collaborated with several Hindustani (North Indian) musicians in Jugalbandi concerts, including Ustad Sultan Khan, Ustad Shahid Parvez Khan, Pandit Viswa Mohan Bhaatt, Pandit Ronu Majumdar, Sri Gaurav Mazumdar, Pandit Anindo Chatterjee, Pandit Ramdas Palsule, Pandit Abhijit Chatterjee and others. Boopathi has also played with several Western and other world musicians to create multifaceted music and foster cultural understanding.
Murugaboopathi’s concert performances have occurred at a wide array of prestigious venues in India. Around the world, he has also performed in the United Nations (New York), the Royal Albert Hall (London), Theater De La Ville (Paris), Public Broadcasting Service Studios (USA), Esplanade Bay Theatres (Singapore) and numerous other venues in USA, Europe, Australia, New Zealand, the Middle East, Singapore, Hong Kong, and South Africa. He is one of the first Carnatic musicians in history to perform in the international music scene of Turkey, with veena artiste Smt Nirmala Rajasekar in 2011 at the Konya Mystic Music Festival.
Murugaboopathi believes strongly in conducting and participating in outreach. He has shared his knowledge through lectures, music conferences, and seminars throughout the United States, Europe, Australia, and East Asia. In addition to being a revered percussion guru, Boopathi has been instrumental in providing support, direction, and guidance towards incubating several arts organizations in the United States, Europe, Asia, and Australia.
Thanjavur Sri K. Murugaboopathi has received numerous honors and awards, including:
Best Artiste Award – Music Academy Chennai
Pazhani Subramania Pillai Award – Music Academy, Chennai
Talented Artiste Award – Krishna Gana Sabha, Chennai
Naadha Vallabha – Naadha Sudha, Chennai
Senior Excellence Award – Maharajapuram Vishwanatha Iyer Trust, Chennai
Best Accompanying Artiste – Sruthilaya Seva, Chennai
Madhura Naadha Shiromani – G. Narayana Sharma Trust, Chennai
Laya Vidyaadhara – Isai Pani Mandram, Chennai
Laya Kala Ratna – Tiruppur Murugan Mandram
Laya Kala Ratna – Sri Ragam Fine Arts
Best Artiste Award – South Indian Music Club in Andhra Pradesh
Excellent Artiste Award – Young Carnatic Musicians Association of Srilanka
Best Artiste Award – Sivan Mandram Sydney, Australia
Excellence Award – Youth Center for Music and Arts, Inc USA for exemplary performance at the United Nations, New York, USA
Ramdas Palsule – Tabla
Ramdas Palsule is a popular name amongst Indian Classical Music enthusiasts and has carved a niche for himself since a very young age.
Born in well-educated family in Pune, his father Shri. Gajanan Palsule was a recipient of the prestigious Kalidas Sanman President’s award for his work in Sanskrit literature and for his Sanskrit book on Veer Savarkar. An alumnus of prestigious alma – maters like Jnana Prabodhin Prashala and College of Engineering, Pune, Ramdas has a strong academic foundation. He was introduced to Tabla by Pt. G.L. Samant. Later, he became the disciple of world-famous Tabla Maestro Taalyogi Pandit Suresh Talwalkar. It was after achieving his Bachelor’s Degree in Mechanical Engineering that he chose his passion as his profession.
Ramdas chose his passion over a beaten path and an assured successful career in engineering at the age of twenty-three and ever since has been a devout torchbearer of the illustrious tradition of Indian Classical Music. Under the capable guidance of Taalyogi Pandit Suresh Talwalkar, Ramdas, with his natural ingenuity, relentless toil and insatiable thirst for knowledge made quick strides as an acclaimed soloist and a versatile accompanist.
As a solo artist, Ramdas developed his own style of presenting traditional compositions with a new perspective and fresh thought-process. As his Guru says, “Innovation without the foundation of Tradition becomes superficial and Tradition – without Innovation – becomes outdated.” Ramdas mastered the craft of “Jod-Taal” and “Jaati-Bhed” to acquire unparalleled expertise in these. He earned the praise of connoisseurs and patriarchs alike with his refreshingly vivid style or presentation and is aptly known as a “Riyaazi” (hard-working) artist in the fraternity.
Apart from being a proficient Solo Artist, Ramdas also proved his dexterity as a versatile accompanist with Vocalists, Instrumentalists and Dancers from both, the Hindustani and Carnatic style of Classical Music. Doyens like Pt. Jitendra Abhisheki, Pt. Jasraj, Vidushi Prabha Atre, Vidwan M. Balamuralikrishna, Pt. Shivkumar Sharma, Pt. Hariprasad Chaurasiya, Pr. Ram Narayan, Pt. Birju Maharaj and many more trusted him as an able accompanist for their performances the world over.
He has enthralled audiences with his enchanting solo performances as well as accompaniments at prestigious concerts like The Sawai Gandharva Sangeet Mahotsav (Pune), Saptak Festival (Ahmedabad), All India Radio, and SPICMACAY, Isha Foundation’s Yaksha 2020, Dussehra Festival (Mysuru), All Bengal Festival (Kolkata), Tansen Mahotsav (Gwalior), Kalidas Festival (Ujjain), Pt. Abhisheki Mahotsav (Goa) and many more.
He also has performed in countries like U.S.A., Canada, U.K., Germany, Switzerland, Austria, Australia, many countries in Africa, Singapore, Malaysia, Indonesia and the Gulf Countries.
Besides being an artist of repute himself, Ramdas is an avid academic. His rich educational background helps him understand the nuances of learning and teaching alike. A strong advocate of the Guru Shishya Parampara – he believes that Art needs to be ingrained with Sanskar. Ramdas ji imparts training to the younger generation of students of Tabla free of cost. Since 1992, many students from all over India and abroad have been learning from him and a number of them have also made their mark in the field of Classical Music as performers.
He is serves as a Guru at The Lalit Kala Kendra (Center for Performing Arts) of University of Pune since 1997, and at Bharti Vidyapeeth School of Performing Arts. Ramdas is a founding member and Guru at Avartan Gurukul, a unique Gurukul started in Pune in 2016. He insists on nourishing and nurturing students not only as accomplished artists, but beyond that as humble, cultured and judicious citizens who would add value to the Nation and the society at large. This only underlines his dedication and devotion towards the cause of Indian Classical Music and his genuine urge to make a difference to the society at large.
Since 2001, Ramdas also has been arranging concerts in North America thereby providing a platform for Indian Musicians and Dancers as well as propagating Indian Classical Music. Thanks to him, music aficionados in America have been treated to the performances of amazing artists like Pt. Sanjeev Abhyankar, Ustad Shahid Parvez, Pt. Parthosarathy Chowdhary, Vidwan M. Manjunath, Smt. Savani Shende, Pt. Uday Bhawalkar and many others.
Besides music, as a socially responsible citizen, he has been organizing a Blood Donation Camp every year since 2001. In collaboration with Rotary Club of Pune Westend and Maharashtra Mandal (Bay Area, California, USA), he helped raise funds for musicians who were economically affected due to CoVid-19 Pandemic under project “Saath”. He was also one of the organizers of a concert namely “Artist for Artist” to help all the instruments makers in flood-affected Sangli-Kolhapur areas in 2019.
Thus, Ramdas Palsule is way beyond an imminent artist. He is a humble student, a passionate teacher, an intellectual academic, zealous entrepreneur and most importantly a suave ambassador for Indian Classical Music. He is indeed a role – model for generations to come.
