S Rajam always seemed to have a lot of time because he never wasted his time or that of others. Punctuality was a remarkable trait with him. During his spare time in All India Radio he would be reading reference books and jotting down notes in a diary—for a painting or for a musical drama he was planning to record.

Ours is a traditional musical family. My mother Tiruvarur P.R. Anandavalli hails from Tirukkannamangai village, and my father belongs to Madurai where he was a businessman. When I was barely 2-1/2 years old my father passed away. My maternal great grandfather, Ramdas Nainakkarar was a renowned nagaswara vidwan and he followed the Vaishnava culture and tradition as he played regularly at the Tirukkannamangai Perumal Temple.

I honestly cannot recall when and how I met Anandhi Ramachandran. I was a regular at Kalakshetra programmes and on happy terms with singer-nattuvanars Kamalarani, Bhagavatula Seetharama Sarma and the man I described as second to Nandi as far as dance was concerned, Karaikudi R. Krishnamurthy.

Each religion has its system of music based primarily on its cultural origin. Church music indicates the Western origin of its original propagators and mosque music indicates its Arabian origin. But does music itself as an art have any religion?