V K Arun Kumar accompanied by Vittal Rangan & Neyveli Narayanan Dikshitar – Beethoven Melharmony Festival
January 17, 2021
Anirudh Raja accompanied by Vittal Rangan & K V Prasad Dikshitar – Beethoven Melharmony Festival
Sai Govind Vijayaraghavan (Mandolin) accompanied by Vittal Rangan & K V Prasad Dikshitar – Beethoven Melharmony Festival
Sapna Ganesh Prasad accompanied by Vittal Rangan & K V Prasad Dikshitar – Beethoven Melharmony Festival
Prameela Mandyam accompanied by Vittal Rangan & K V Prasad Dikshitar – Beethoven Melharmony Festival
Samarth Anantuni accompanied by Vittal Rangan & Neyveli Narayanan Dikshitar – Beethoven Melharmony Festival
Shilpa Sathyanathan accompanied by Vittal Rangan & K V Prasad Dikshitar – Beethoven Melharmony Festival
Adithya Anandan accompanied by Vittal Rangan & K V Prasad Dikshitar – Beethoven Melharmony Festival
Akkarai Sisters – Vocal accompanied by emerging performers Dikshitar – Beethoven Melharmony Festival
January 14, 2021
Sunday, August 9 1:00 pm – 2:00 pm EDT
Kavita will share several excerpts from Ramanatakam to demonstrate the use of abhinaya and storytelling as integral aspects of Bharatanatyam.
Sunday, August 23 1:00 pm – 2:00 pm EDT
Aishwarya Srinivas will share her insights into the quintessential aspects of D.K Pattammal’s music, her way of rendition, and her unique bani.
Sunday, August 30 1:00 pm – 2:00 pm EDT
Amritha Murali will share some insights into approaches to Raga Alapana. She will show us how different types of ragas can be handled In accordance with their intrinsic flavor.
Sunday, September 6 1:00 pm – 2:00 pm EDT
How does institutional injustice impact Indian classical art practice and performance in America? Preethi Ramaprasad and Ananya Ashok explore this intersection…
Sunday, August 2 | 1:00 pm – 2:00 pm EDT
An introduction to ghatam, the instrument, and its music will be presented by Vidvan Sri N. Guruprasad.
Sunday, August 161:00 pm – 2:00 pm EDT
We often think of ragas as being a structure of notes in a structured sequence. As with our understanding of colors, we realize that just as colors are both more and less that their chromatic numeric codes. so it is with ragas.