This quartet has been conceptualized as an effort to explore the coming together of two distinct instrumental artforms within the Carnatic tradition. The melodic instruments in this collaboration, violin, and nadaswaram, come from very different cultures. So is the case with the mridangam and tavil.
Maestro Shashank Subramanyam, a Grammy nominated exponent of the Flute, , began performing for the general public at the age of six in 1984. He was the youngest musician to have been invited by The Music Academy, Chennai to perform the senior most slot of The Music Academy,...
For Carnatic music aficionados thirsting for chaste rendering of the great compositions of its maestros and a musical imagination rooted in good aesthetics and orthodox vocalisation uncluttered by gimmickry, 28-year-old Amritha Murali is a godsend.
The extensive contribution of the Haridasas of the 15th and 16th centuries is not well known. While most us us know of Puranadaradasa, many do not realize that he was part of a long line of sant composers of the bhakti movement in the Kannada speaking region of South-Central India.
SUSHMA SOMASEKHARAN is a Carnatic Vocalist based in Singapore and Chennai. Sushma has performed in several prestigious organisations including Madras Music Academy, wherein she won the Outstanding Vocalist Award for her performance in 2017,...
Nirmala Rajasekar is a world renowned Carnatic virtuoso recognized as one of the best Saraswathi veena players of today in the South Indian Classical music genre – a consummate artist who has carved a special place amidst audiences across the globe. She has been performing on her beloved ‘veena’ for 38 years now.
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