Peggy R. McConnell Arts Center of Worthington

Concert by Sikkil Gurucharan

Concert by TM Krishna

Sax and Tabla - raaga on the saxophone

Bharatanatyam Margam By Bhavajan Kumar

Dhvani Annual Picnic – 2022

For Carnatic music aficionados thirsting for chaste rendering of the great compositions of its maestros and a musical imagination rooted in good aesthetics and orthodox vocalisation uncluttered by gimmickry, 28-year-old Amritha Murali is a godsend.

This quartet has been conceptualized as an effort to explore the coming together of two distinct instrumental artforms within the Carnatic tradition. The melodic instruments in this collaboration, violin, and nadaswaram, come from very different cultures. So is the case with the mridangam and tavil.

Five of our dance teachers and many of their students will be presenting together a program which is the result of several workshops conducted for students and teachers.

Born in Hyderabad, India, Yamini Kalluri has been celebrated by the New York Times and BBC as being a Kuchipudi sensation.

Sangeetha Sivakumar is among the most respected musicians in the field of Carnatic music, performing for over thirty years. While residing in Kochi, she started learning music at the age of 9, from Sri K.P. Vasu of Calicut. In 1987, she moved from Kochi to Chennai and became the disciple of the senior musician, Smt Charumathi Ramachandran.

N. Vijay Siva in concert; a DK Pattammal centenary tribute

Heartbeat Ensemble is a professional musical ensemble performing Indian Classical Music, with a lot of percussion accent with many dynamic performers, enchanting instruments and reverberating rhythms.

Vidushi S. Sowmya is one of the world’s leading exponents of the Carnatic (South Indian classical) tradition of vocal music. She is reputed for her deeply classical style and for her large repertoire spanning a wide spectrum of composers, including some of the rarest works of the Carnatic Trinity.

“Mitra” is a Bharatanatyam Margam that explores intersections in the themes of Indian poetry. The concept of prema, or eternal love, is age-old and performed by many performers from the temple to the proscenium stage.

Sunil Gargyan is a budding young artist making waves in the Carnatic scene. He started his musical journey at the age of three. Sunil was initiated in carnatic music by Nagai Sri Bhashyam and furthered under Sri P. B. Shrirangachari.

Placed amongst the 50 most influential soft powers in India by the Open Magazine, Palghat Ramprasad is one of the most sought after South Indian Carnatic music vocalist both in India and abroad.

Antah Prerna is a musical telling of an entrepreneur's journey. The multimedia project explores the journey of an entrepreneur from idea conception all the way to success and growth. It features an Irish entrepreneur as the narrator and music from across India in the Carnatic idiom. The program takes the audience through each stage of the entrepreneur's roller-coaster journey-from the moment of inspiration, to ignoring naysayers, exhilaration and numerous setbacks to inevitable self-doubt.

To commemorate 35 years of teaching in S. California, Ramya Harishankar, the award winning Artistic Director and choreographer of the Irvine based Arpana Dance Company presented Celluloid Classics 2 on Saturday, April 16, 2017 at the Irvine Barclay Theatre.

As a vocalist in the Karnatik tradition, Thodur Madabusi Krishna’s musicality eludes standard analyses. Uncommon in his rendition of music and original in his interpretation of it, Krishna is at once strong and subtle, manifestly traditional and stunningly innovative.

Ms. Jayashree has learned from respected musicians in the Carnatic style such as V Dakshinamurthy, K Raghavan, and B A Chidambaranthan. Further, Ms. Jayashree has a Master of Arts degree in Music from the University Kannur, Kerala, India. Ms. Jayashree also runs the Shree Shankaram School of Music in Kannur, Kerala, India, which currently has over 150 students.

Viraja Mandhre & Shyamjith Kiran are Indian classical dancers trained in the form of bharatanatyam at the Kalakshetra Foundation – Chennai. Previously a part of the Kalakshetra Repertory company, they are currently exploring their paths through independent pursuits.

Hailing from a musical family, Chinmayee was introduced to music at a very young age. She underwent initial training from Dr. Radha Venkatachalam. She has been under the tutelage of Sangeetha Kala Acharya Smt. Kalyani Sharma for over last 15 years now.

Pavithra Srinivasan uses music, dance and narration to tell the story of Hanuman in her presentation of the Sundarakandam, the fifth book of the Valmiki Ramayana. In this part of the story, it is Hanuman who is the main character. His valor and exploits are told and celebrated.

Ramana Balachandhran is a 16-year-old vainika from Bangalore. His talent for music was noticed when at a young age he could identify ragas and point out nuances. He has been performing from the age of 12. Ramana started his vocal training with his mother Sharanya Balachandhran.