Entries by shankar9262

Poochi Srinivasa Iyengar – A great lakshana vidwan

– R. Vedavalli Mysore Vasudevachar, who was a guru-bandhu of Poochi Iyengar, has written in detail about him in his book. Salem Chellam Iyengar, son of Salem Doraiswami Iyengar, who was a disciple of Poochi Iyengar, has also written in detail about him. These are two sources from which we can gather a lot of […]

Music as a catalyst to mathematical ability

– Vidya Raja A lot has been written about the relation between mathematics and music. Music training and its impact on the brain—as a catalyst in improving mathematical ability — is intriguing, especially during early childhood. Music is one of the few activities that involves using the whole brain. It is intrinsic to all cultures […]


In the third and concluding part of this series on the monumental composition of Maha Vaidyanatha Sivan, let us look into some of the aspects of the melody of this ragamalika. In the first two articles on the melaragamalika, we analysed the structural and lyrical features of the composition.


Manoj Siva is a disciplined musician trained under Kumbakonam Rajappa Iyer and Palghat Raghu. His style is replete with sunadam during accompaniment for kritis and his tani avartanams are marked with technical brilliance.


With increasing concert opportunities, T.A.S. Mani started accompanying many senior artists. Browsing through photo albums of his concerts is like walking through a portrait gallery of leading musicians of the past.


Music Forum, in association with The Music Academy, organised a mega workshop titled ‘Yuva Rasika’, for school students, at The Music Academy, Madras, on 31 August 2019. Now an annual feature, Yuva Rasika has become a sought after event for school students. Twenty schools from across the city, and as far as from Vellore and Sholingur, participated.


As mentioned in the September issue of Sruti, the language employed in this ragamalika is Sanskrit. The sahitya for each raga section extends to two avartas of Adi tala. The name of each of the 72 melakarta ragas is embedded very skillfully and beautifully in the respective sahitya portions.


A first-generation performing artist, Amritha Murali, born on 16 July 1982 to Rama and G. Murali, is an established vocalist and an accomplished violinist. Amritha continued to do both comfortably until recently when she decided to concentrate on her solo performances as a vocalist and also to resolve this identity crisis of whether she is a violinist or vocalist.


The Melaragamalika is a masterpiece and one of the longest compositions in the repertoire of Carnatic music. Though the Ragatalamalika of Ramaswami Dikshitar is popularly known as the ‘108 Ragatalamalika’, only 62 raga sections of that composition are available to us today.

Western influence on Indian music

The classical music of the West has influenced our musical culture, although it may not have done so in ways and on a scale easily comprehensible to us. The four broad areas in which the Western influence manifests itself are: (1) the two systems of classical music namely, Hindustani and Carnatic, (2) film and light music (sugam sangeet), (3) commercial TV advertising and (4) music education.